0588午夜福利手机看不卡视频
地区:法国
  类型:偶像
  时间:2025-07-16 05:57:14
剧情简介

午夜Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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明星主演
郑汉城
吴宗宪
徐健淇
最新评论(683+)

阿信

发表于9分钟前

回复 :影片讲述了一个有口吃的农村孩子来到城市,遭到歧视和排斥,从而陷入了极度自卑和困惑之中,在老师和朋友的帮助下,重拾信心、努力进取、克服了口吃,融入了集体并被社会所接受的过程。在片中孩子们敏感的神经末梢、高傲的自尊心等等都一一展现,影片将引导孩子如何真诚的对待朋友、奉献自己的爱心。


萧恒嘉

发表于5分钟前

回复 :寒冬深夜里 江南技师张天来因避雷雨,来到一处古宅借宿,宅里阴森,只有一位行踪怪异的老头居住。


林昌奎

发表于4分钟前

回复 :A tourist group from India sets out on a vacation to only have their trip to turn into a patriotic mission. Will it end well for them?


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