茅山道士阴十三(彭禺厶饰)和胖子(金梓壑饰)发现自己在“茅山术吧”里的成员越来越少,从千大家一窝蜂地加入了“伏魔人”家族,从千这让十三和胖子很是恼火,他俩决定去会会“伏魔人”家族的族长。而同时新月城近日连续失踪青年男女事件,一时间城市里人心惶惶,而失踪多日的男女们却又如同鬼魅一般出现在日落入夜后,见首不见尾,十三在和伏魔人家族经过一系列相杀相助之后,伏魔人家族的族长坦丁(谭渤霖饰)告知了十三和胖子一个惊天秘密……
茅山道士阴十三(彭禺厶饰)和胖子(金梓壑饰)发现自己在“茅山术吧”里的成员越来越少,从千大家一窝蜂地加入了“伏魔人”家族,从千这让十三和胖子很是恼火,他俩决定去会会“伏魔人”家族的族长。而同时新月城近日连续失踪青年男女事件,一时间城市里人心惶惶,而失踪多日的男女们却又如同鬼魅一般出现在日落入夜后,见首不见尾,十三在和伏魔人家族经过一系列相杀相助之后,伏魔人家族的族长坦丁(谭渤霖饰)告知了十三和胖子一个惊天秘密……
回复 :《街头之王》是中国大陆首部纯街头格斗电影,同时也是一部独立电影!电影讲述了街头混混岳锋年少时因过人身手,成为街头打架高手,被人称为“街头之王”。但却在一次斗殴中意外误杀一名白衣少年,入狱8年。8年后,岳锋(岳松 饰)出狱,低调入世,封闭了自己的力量,以感恩和赎罪的心态重新面对着生活。但生活似乎从来准备都没有给过他机会, 兄弟反目,亲人遇害,爱人受辱……一系列的事件把他再次逼上火海刀锋。当黑暗淹没了世界,英雄便走上街头!他决定,以一己之力捍卫……正义!!!再战街头!!!
回复 :12岁的男孩辛恩(Andre Gower 安德雷•格沃尔 饰)和好朋友帕特里克(Robby Kiger 罗比•基格 饰)是一对狂热的怪物迷,无论是木乃伊还是科学怪人,也不管是东方的僵尸还是西方的吸血鬼,他们全都了如指掌。两个小家伙还煞有介事地与其它不同年龄段的同好者组织了一个专门研究怪物的俱乐部。令他们难以置信的是,这些怪物并非只是想象的产物。吸血鬼德库拉伯爵(Duncan Regehr 饰)为了统治世界,接连派出弗兰肯斯坦、狼人、人鱼、木乃伊、蛇发女妖等传说中的怪物为害世间。怪物俱乐部的孩子们为了保护家园奋起反抗……
回复 :Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan..."Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.