蒂托（小罗伯特·唐尼 Robert Downey Jr.饰），影片美国洛杉矶知名作家。在与家人分别十五年之后，影片他终于踏上了这条一直在逃避的归家之路。20世纪80年代，纽约阿斯托里亚皇后区。年轻的蒂托（希亚·拉博夫 Shia LaBeouf饰）经历了一段艰难岁月。他与家人的争吵与破裂，他与女友劳瑞（梅罗妮·迪亚兹 Melonie Diaz饰）的忠诚与背叛。他目睹着他的好友一个一个的永远离他而去，或吸毒而亡或坐牢而死。蒂托一直在想方设法的让自己不受到伤害，在亲情、种族、忠诚、性、暴力混乱的痛苦中涅槃。渐渐地，蒂托开始相信来自天主的力量才能让他生存下去。影片由导演蒂托·蒙蒂尔的个人自传改编而成。本片荣获2006年第63届威尼斯国际电影节最佳新人导演奖、影评人周单元奖，并荣获2006年圣丹斯电影节评审团特别奖等多项大奖。
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回复 :一次飞机失事令泰莉•派瑞塔(朱莉安•摩尔饰)失去了年仅8岁的儿子，对儿子的牵心挂念严重摧毁了她的健康，与丈夫的日渐疏远也令婚姻趋于解体边缘。而最离奇的是家中关于儿子曾经存在过的证明——合影、生活用品——逐渐消失，泰利向精神医生姆恩斯(加里•辛尼斯饰)求助，得到的答案犹如晴天霹雳——她的儿子从来没有存在过，一切都不过是她的幻想！泰利接受不了这个事实，遇见同样失去女儿也同样被告知这一切是幻觉的艾什(多米尼克•韦斯特饰)，更坚定了她的信念——有人刻意地操纵了这一切。为人父母，他们决定揭开迷雾，寻回消失的一切。母爱是伟大的，在于十月怀胎三年哺乳，更在于她坚信这个世界上，存在着她的骨血。无论是谁，都不能将他们拆散。
回复 :Metal music, wet paint, and family are the passions of Jesse, a struggling painter who lives a happy life with his wife, Astrid, and their preteen daughter, Zooey. And things look even brighter when Jesse and Astrid are able to put in a bid on their dream home - a huge property in rural Texas with a barn big enough for a proper art studio - after the price is driven down due to the home's mysterious past. After the trio moves in, Jesse's work starts taking on a new, considerably darker flavour - and things get even more ominous when Ray, the hulking, clearly unbalanced son of the deceased former owners, appears on the doorstep one night, clutching a red electric guitar and asking to "return home." It soon becomes clear that Ray and Jesse are both being influenced by the same satanic forces, and that Jesse's family won't be safe until they find a way to quiet the Devil himself.
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.