《妈妈别哭》是继《熔炉》之后又一部韩国现实主义力作，最后入围了第17届釜山电影节的广阔镜单元。本片改编自现实中“得知女儿因为被男学生们强暴而自杀的妈妈亲自为女儿报复”的残忍故事。刚和丈夫离婚准备重新出发的刘琳（柳善 饰）在告别不幸婚姻后原本打算带着刚升为高中生的唯一女儿 柳银雅（南宝拉 饰）重新开始。两人相依为命过着简单平静的生活。但不幸从天而降，最后银雅竟然选择在自己生日的那天自杀，这也摧毁了刘琳最后的精神支柱。某天，她通过银雅的同学赵翰（申东浩 饰）知道了女儿惨死的真相：在学校遭到多名男同学的强奸，加害者却因未成年人的身份免于受到处罚，对这一结果无法承受的银雅选择了自杀。此后，刘琳受到了前所未有的打击，再不相信法律的她决定无论用何种方法，自己来帮女儿报这个仇，并驱使着她一步步走向无法挽回的结局......
回复 :年轻的耶和华见证会传教士亚娜在一次礼拜中被愤怒的当地人烧毁了她的礼拜场所，她感到十分震惊。她的丈夫大卫设法获得了这次袭击的闭路电视录像。但在他们与年幼的儿子同住的格鲁吉亚偏远村庄里，他对正义的追求引发了一系列事件，他们将发现这个家庭被完全孤立，完全听任敌对的当地警察的摆布。
于樱樱
回复 :澳门风云，烽烟再起...... 故事发生在澳门，科学家的妻子死于凶案，他决心要研发一台具有预知凶案发生的超智能手机，研究成功了，他为这台手机命名为“PONE灵”。科学家却因心力耗尽而死于实验室。数日后，一名叫“浩”的记者发现了他的尸体，还有“PONE灵”。令科学家始料不及的是“PONE灵”拥有了“自我意识”，可以将程序自动传输到附近的手机，而且具有迷惑人心的魔性。它与“浩”的手机产生了连接，“浩”开始接收到各类凶案发生的信息，他利用这些信息取得了报道的先机。 但是，一宗黑帮仇杀案令他卷入了斗争的漩涡，神秘低调的黑帮首领洪民汉在一次秘密的毒品交易中遭受枪击生死未卜。
回复 :A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
