身患家族遗传斑毒的摸金校尉传人阿生,嗜育在父亲神秘离家两年后,嗜育意外发现了家中隐藏的金片,根据上面线索来到锦城,结识了好友白春城和白柳,三人一起踏上了寻找传说中的白狐大帝宝藏的旅途, 期间,遇到了同样窥探宝藏的滨田学者、金三及白狐大帝座下妖王赤狐将军都给阿生等人带来了大量麻烦,众人突破重重陷阱设计、险象环生,众人与滨田、赤狐斗智斗勇,一番决战之后,阿生凭借摸金绝艺与白春城合力战胜了邪恶势力。
身患家族遗传斑毒的摸金校尉传人阿生,嗜育在父亲神秘离家两年后,嗜育意外发现了家中隐藏的金片,根据上面线索来到锦城,结识了好友白春城和白柳,三人一起踏上了寻找传说中的白狐大帝宝藏的旅途, 期间,遇到了同样窥探宝藏的滨田学者、金三及白狐大帝座下妖王赤狐将军都给阿生等人带来了大量麻烦,众人突破重重陷阱设计、险象环生,众人与滨田、赤狐斗智斗勇,一番决战之后,阿生凭借摸金绝艺与白春城合力战胜了邪恶势力。
回复 :一个自命风流的汽车经纪人士啤呔,遇上一个美丽的私家女侦探珠珠,他对她大献殷勤,却被其捉弄,两人反目成仇,珠珠为侦查一宗偷情案,而掌握到一犯罪集团的重要犯罪证据,犯罪集团便掳走珠珠,幸得士啤呔及时营救......
回复 :乔纳斯曾经是一个成功的作家,但妻子的失业和谋生的压力让他患上抑郁症,陷在生活和情绪的泥潭里无法继续写作,妻子也出轨离开了他。为了生存,他在成人教育学校为初学者教授创意写作课程,一位迷人的学生吉娜突然出现在他的生活里,让他仿佛找到了希望。她精力充沛,有趣,很有写作天赋,乔纳斯把她推荐给他的编辑,想帮助她出版短篇小说集。但渐渐的,他发现生活并没有因此变好,反而带来了更多问题……
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.