巴娅（莎拉·弗里斯蒂 Sara Forestier 饰）是一名右翼人士，影视在当今的政坛上十分的活跃。她传播思想的方式非常独特——但凡跟她有过床笫之欢的右翼男士们，影视都纷纷投入到了左翼的阵营之中。从小就生活在多元而宽松的家庭氛围之中的巴娅自幼便是开放而又火热的性格，对待感情和性十分开放，这和保守又刻板的亚瑟（雅克·甘布林 Jacques Gamblin 饰）恰恰相反。亚瑟是一名循规蹈矩的科学家，不幸的童年和家族里的悲惨历史让他不自觉的背负起了沉重的枷锁，一辈子都生活在压抑之中。这让的他在机缘巧合之下同巴娅邂逅了，大相径庭的两人之间居然还碰撞出了爱情的火花。
回复 :在某个大于瓢泼的早晨，女高中生山本由佳里（伊藤万理华 饰）手忙脚乱洗漱准备，偏偏有人在她家门口的名牌上留下了类似“F”的记号。她被妈妈命令擦掉记号，此外还要坐爸爸的车送弟弟去幼儿园，结果错过了与好友松原奈保一同上学的约定。谁知奈保乘坐的巴士遭遇严重车祸，好友在惨烈的事故中不幸身亡。在此之后，由佳里被神秘的符号所困扰，而逝去好友的身影时不时出现在她的面前，又让她的精神几乎崩溃。蹊跷诡异的事件愈演愈烈，本就被黑暗笼罩的山本一家走向破碎边缘，由佳里内心中的秘密也将悄然浮现……本片根据恐怖小说作家铃木光司的短篇作品《F》改编。
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
张振宇
回复 :项羽和刘邦，两个反对秦暴政的起义领袖，为自由与安乐一路厮杀，同时也在向那王朝核心秦王宫步步逼近。刚烈而冲动的霸王项羽在“鸿门宴”上错失了杀掉刘邦的机会，与深爱的女人虞姬含泪诀别。
