剧情简介
日本肉漫A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors
日本肉漫视频
日本肉漫A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors
回复 :性感貌美的莉亚，为了帮心爱的女友筹措旅费回乡探望家人，化名为「蜜糖宝贝」开起线上色情直播，靠著萤幕另一头的陌生人们赚钱。她大胆火辣又吊人胃口的表演，每次都能吸引上千观众收看，但随著人气高涨，莉亚开始遭受不明人士骚扰，而令人毛骨悚然的是，对方不但知道她的本名，甚至连她日常生活的行踪，都瞭若指掌…
回复 :影片聚焦中国维和警察鲜为人知的生死时刻！应联合国请求、受国家派遣，余卫东（黄景瑜 饰）、杨震（王一博 饰）、丁慧（钟楚曦 饰）等维和警察肩负神圣使命，远赴异国他乡，深入战火纷飞的任务区执行维和任务。他们将要直面恐怖袭击、武装暴动、黑帮横行等种种险境，维和行动刻不容缓……
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
