1867年，无码网李鸿章（孙海英 饰）上书，无码网清政府下令建立船政学堂，由洋人讲授西洋海军知识。邓世昌（陆毅 饰）前来报考，得刘步蟾兄妹相助，一鸣惊人。1877年，邓世昌送同学们赴英国皇家海军学院深造。4年之后，邓世昌代表朝廷迎接同学凯旋。他在伦敦街头偶遇刘步蟾妹妹（龚洁 饰），并教训了挑衅的洋人。毕业会上，邓世昌、刘步蟾与伊东佑亨（夏雨 饰）、东乡平八郎的对话，为日后两国海上交锋埋下伏笔。李鸿章组建北洋水师，向光绪帝（郭家铭 饰）启奏向英国定制的铁甲舰，得到了慈禧太后（吕丽萍 饰）准奏。与此同时，日本天皇号召朝野捐俸也购得了铁甲舰，伊藤博文还奉上了侵略的奏章。北洋水师提督丁汝昌（杨立新 饰）率刘步蟾、邓世昌等 “镇远”号、“致远”号将士出访日本，遭遇长崎事件，大战一触即发……
艾斯特吉芭托
回复 :奥地利皇储突然自杀案件，让沉寂6个月的福尔摩斯（小罗伯特·唐尼 Robert Downey Jr. 饰）再次启动。这次，福尔摩斯有了一个强有力的对手——智力上与福尔摩斯相当的莫里亚蒂教授（杰瑞德·哈里斯 Jared Harris 饰）。为了调查清楚皇储的自杀案件，福尔摩 斯与华生（裘德·洛 Jude Law 饰），在吉普赛占星师西姆（劳米·拉佩斯 Noomi Rapace 饰）的帮助下，和莫里亚蒂展开了在整个欧洲大陆上的较量，从英国到法国、德国……虽然被称为最聪明的人，但是莫里亚蒂教授仿佛能预知福尔摩斯的行踪，都能先一步福尔摩斯逃之夭夭。莫里亚蒂教授死亡名单上的人一个个被抹杀，历史可能就此被改编，面对如此强大的对手，福尔摩斯如何应对？
周慧敏
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :丹尼尔（迈克尔·恩奎斯特 Michael Nyqvist 饰）是一名指挥家，专业技能出色的他在全世界范围内享有着极高的声誉，随着时间的流逝，他的身体渐渐的开始无法支撑他对音乐的热情，一次突然来袭的心脏病迫使他永远的告别了舞台。为了养病，丹尼尔回到了久违的家乡，在那里，他成为了教堂唱诗班的指挥。工作上的停顿让丹尼尔十分沮丧，但在风景如画的家乡里，他找到了新的人生意义。同时，对于村民们来说，丹尼尔的到来和他所带来的对于音乐的热情和执着，也让这个平静的小镇熠熠生辉。该片于2005年提名了第77届奥斯卡金像奖的最佳外语片，这也是瑞典影片第14次以奥斯卡提名片的身份出现在人们的眼前。
