av不卡在线播放
地区:香港
  类型:犯罪
  时间:2025-07-16 06:33:17
剧情简介

不卡播放Seasoned horse jockey Jackson (Clifton Collins Jr.) has weathered decades of races on the riding circuit, but he now finds himself facing what could be his last season as his health deteriorates. With the help of Ruth (Molly Parker) and a promising new horse, Jackson starts to prepare for the upcoming championship. His plans take a left turn when a budding young jockey (Moisés Arias) shows up and claims to be his son. Caught between yearning for a connection and uncertainty about his own future, Jackson confronts difficult questions regarding his legacy.

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明星主演
潘裕文
邓斐
安七炫
最新评论(845+)

方炯镔

发表于7分钟前

回复 :Student Jane jobs as an assistant for the animal researcher Phillip in a lonesome old house. They live alone except for the chimpanzees and butler Link: a 45 years old very intelligent orangutan. Phillip wants to put Link to death. However before he can do this he's vanished tracelessly one morning. Link starts behaving more and more aggressive and prohibits Jane from using the phone or reaching the next village. When she punishes him by locking him out, he becomes violent.http://pan.baidu.com/share/link?shareid=2815480905&uk=2435219145提取密码:7j5g解压密码:pbwgts


陈宝珠

发表于8分钟前

回复 :Dr. James Xavier. A world renowned scientist, uses special eye drops to givehimself x-ray vision, but the new power has disastrous consequences.


卢冠廷

发表于6分钟前

回复 :Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.


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