凌靖（黄晓明 饰）连续四年成为香港警察狙击手队伍的第一神枪手，亚洲上司与队友对他赞赏有嘉，亚洲可自视甚高的他却不大喜欢跟人家打交道，他唯一的幸福就是太太的陪伴。一次剿匪行动中，凌靖失手打死人质——城中首富独子。富商向警察部不断施压，最后凌靖被判误杀入狱四年。自从凌靖离开，原来警队第二的克明（任贤齐 饰）成为了最强的一个，当年正是他做假证害凌靖入狱。凌靖发誓要向出卖他的警队和克明报仇。O仔（陈冠希 饰）是警校的高材生，枪法如神、用枪技术一流，很快被克明招揽加入香港警察狙击队队伍。在听说在凌靖的故事后对他感到好奇，在偶然的机会下遇到凌靖并得到指导，成为朋友。凌靖频繁挑衅警队，引得整个狙击手队伍出动围捕他。凌靖拼死力战，独战警队。怎料，克明以自己作饵，加上O仔的助攻，让他不慎暴露了位置。最后，到底哪方会胜利？而凌靖又可以为自己找到应有的公平吗？
回复 :《十日谈》是包揽戛纳金棕榈奖、威尼斯金狮奖、柏林金熊奖的意大利国宝级导演——塔维亚尼兄弟（Paolo Taviani, Vittorio Taviani）继《凯撒必须死》之后的最新力作。影片利用新颖的电影创作手法重新演绎了世界文学名著《十日谈》，使电影故事充满了超现实主义的诗意。塔维亚尼兄弟恰到好处地掘取了《十日谈》故事中的精华并予以独具匠心的雕琢，保留了人文主义思想的核心，赞美爱情是才华和高尚情操的源泉，将影片主旨设定在“爱情与生命之美”，并用沉静、自然与美丽的故事核心，探讨并化解当代青年人的面对生存艰难时的恐惧。影片在场景及角色上也进行了深思熟虑的设计，使文学元素充分融入到画面及观影氛围中。来自曾凭《凯撒必须死》摘下柏林金熊奖的团队摄影师为影片带来了简明的影像风格，使之拥有紧凑、严谨的视觉体系。影片囊括了大批出色的意大利大牌与新秀卡司，演员生动的表演与塔维亚尼兄弟精良的电影制作水准，使该片在意大利本土一经上映，便获得了权威媒体与本土观众的一致认可。
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
回复 :桜田通や栗原吾郎ら若手俳優5人がバンド結成、音楽映画「EVEN～君に贈る歌～」