神田视频
神田视频
回复 :转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :脚步匆忙,奔波往复。这个世界上从早到晚,从西到东,似乎每个人都有无数的事情要做,却翻花迷眼,盲目糊涂。在国际大都市的一隅,生活着自信的拳击手李磊(余皑磊 饰),他饮食无忧,生活优渥,战绩显赫,可是仍然找不到人生的动力与激情。拳拳到肉的阵痛,也许都为他找到一些活着的感觉。接连很多天,他总能在路边看见戏台上包公打扮的人和端着浴缸的金发女郎。他的眼睛似乎被打出了问题,接连出现的幻觉让他倍感困扰。他认为即将失明,没有选择地走入一个全然黑暗的世界…… 本片为中国电影集团与优酷网联合出品的微电影系列《十一度青春》中的一部。
回复 :故事讲述了一个不合格的父亲从女儿的恶作剧中找回自己对家庭的责任的故事。尽管林杭是名牌大学毕业的高材生,但已近中年的他还是一事无成,与妻子张佳结婚多年,两人有一个古灵精怪的女儿林多多。懒惰的林杭游手好闲的度过了10年,幸亏妻子张佳开着一家美发店,勤勤恳恳,才能让日子过下去。调皮的林多多看爸爸每天无所事事,决定给他找一份“工作”:把爸爸共享出去,共享给需要的人。对这件事抵触了一段时间的林杭终于勉强答应去做一次别人的爸爸,却一发不可收拾,瞒着妻子张佳偷偷干起了“共享爸爸”的活计,为此,还闹出了一些误会,险些使家庭破裂。在做别人爸爸的同时,林杭也找到了做一个真正的爸爸所需要的“材料”。