《法国万岁》木扎法和弗鲁兹是塔布里斯坦的两位好牧羊人……塔布里斯坦是个没人知道的中亚微型小国。为了让国际社会认识自己的国家，欧美塔布里总统的儿子决定弄个广告式的恐怖袭击，欧美并委托这两位与其说穷凶极恶不如说天真无知的牧羊人一个重要使命：摧毁埃菲尔铁塔！为了达到目的，他们必须穿越最恶劣的环境：法国！一个与别人向他们形容的西方国家完全不同的法国：在科西嘉独立分子，过于热心的警察，粗鲁不诚实的出租车司机，暴力的球迷，牢骚不断的员工，一点不友好的服务生，卡夫卡式怪诞的政府部门和错误百出的医疗服务……他们一样也没拉下。幸好，他们碰到了年轻美丽的女记者玛丽安娜，玛丽安娜以为他们是非法移民，于是帮助他们克服重重困难，并让他们认识了法国的另一面……一片热情好客的土地，宏伟壮丽而又慷慨大方，这里的生活是如此美好。法兰西万岁！
回复 :《月光侠》讲述了一个从小不那么自信的女孩林西，在面对即将结婚的男朋友背叛后，因为一个偶然的意外，拥有了改变爱情、改写命运的超能力——在有月亮的晚上，以月光为媒介，林西能感知到身边有情人的召唤，帮助他们有情人终成眷属。在帮助别人牵线的过程中，有欢笑、有泪水、有感动、有乌龙，林西在拯救别人的爱情以及挽回自己爱情的过程中，也终于明白，最终决定自己爱情和人生命运的，并不是什么超能力，而是自己内心的选择。
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新香蕉俱乐部
回复 :Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
