讲述的是1997年金融风暴时,国产生意失败的一家之主尚勋(崔成国 饰)与高利贷业者(李准赫 饰)之间惊人的债务关系与令人哭笑不得的人生喜剧故事,
讲述的是1997年金融风暴时,国产生意失败的一家之主尚勋(崔成国 饰)与高利贷业者(李准赫 饰)之间惊人的债务关系与令人哭笑不得的人生喜剧故事,
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :Я шагаю по Москве年轻的维修工瓦洛佳在送殉职的同事回乡的路上,绕道莫斯科停留一天,以便同《青年》杂志社的编辑见面。瓦洛佳在《青年》杂志发表了自己的第一篇作品。这一天瓦洛佳结识了新朋友,两个莫斯科青年,高利亚和萨沙,并遇到了年轻姑娘莲卡……
回复 :An English girl has her life uprooted by her mum the last year of High School. As if it wasn't hard enough leaving behind what is familiar, this small American town holds past memories for her as she spent years there as a child. Although, the hazy recollections and past history are only a small piece in the uncertainty of teenagehood.