日韩Spiraling out after a bad breakup, Wes ends up at a remote rest stop miles away from civilization. His situation worsens after he finds himself locked inside the bathroom with a mysterious figure speaking to him from an adjacent stall. As Wes tries to escape, he realizes he is an unwilling player in a situation bigger and more terrible than he could possibly imagine.
回复 : 阿邦（陈国邦 饰）、阿江（徐锦江 饰）、阿南（欧阳震华 饰）和肯尼（吴瑞庭饰）是一起吃喝玩乐的好兄弟，这一次，他们决定一起去泰国旅行。可是，当四人从泰国回来之后，他们却对在那里发生的事情只口不提，这让阿江的妹妹阿梅（陈雅伦 饰）心生疑虑。 之后，阿南在在一场意外中坠楼而亡，直到这时，阿江才向阿梅说出了那一趟旅行的秘密。原来，在泰国，阿江一行人帮助了一位名叫乃蜜（吴毅将 饰）的降头师，乃蜜邀请他们去他家里做客。乃蜜的妹妹水抹（钱军 饰）对阿邦一见钟情，请求哥哥对阿邦下爱情降，哪知道在阴差阳错之中，乃蜜把降头下在了另外三人身上，引发了悲剧
回复 :A man with spiritualist powers is told by his mentor that a demonic entity is returning to destroy his daughter's soul, and that he should take drastic measures to prevent this from happening.
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
