日本一区中文字幕
地区:欧美
  类型:ʱװ
  时间:2025-07-18 08:54:56
剧情简介

日本James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?

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明星主演
ɭɭ
玛丽娅
张茜
最新评论(743+)

郭子

发表于6分钟前

回复 :In the wake of the debut of Masters of the Air, Apple TV+ will stream The Bloody Hundredth, a new documentary honoring the real-life heroes of the 100th Bomb Group.


朱七

发表于7分钟前

回复 :Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story.A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles?Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.


陈百强

发表于8分钟前

回复 :1940年延安抗大的进步青年丑子冈突然接到中央任命,成立延安保育院。丑子冈拒绝道:我来延安不是当孩子王的!没想到毛泽东第一个把自己的女儿毛娇娇送来了托儿所,从此烈士的遗孤、抗战将士的后代、毛泽东、刘伯承等革命领袖的红色血脉,都交给了文化不高甚至大字不识的乡下婆姨们。托儿所经历了“大战百日咳”、“刘华北之死”、“更名洛杉矶托儿所”、“敌机轰炸”、“特务逆袭”、“争渡黄河”、“秧歌剧风波”、“中外记者参观团”等真实历史事件。1947年,国民党轰炸延安,毛泽东、周恩来指示,托儿所随第一批中直机关撤退,撤退途中,三百多人,一百多辆马车的队伍遭到敌人猛烈袭击,最终丑子冈带着无一伤亡的孩子们跟随解放大军进入北京。开国大典那天,孩子们站在广场上,看着五星红旗冉冉升起。


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