剧情简介
海星A Necron dynasty, dormant for eons, rises in the depths of the Nephilim Sector, now inhabited by fleshy interlopers in the Pariah Nexus. Led by Necron Cryptek Illuminor Szeras, they seek to reclaim dominance on the planet Paradyce.
海星试唱秀
海星A Necron dynasty, dormant for eons, rises in the depths of the Nephilim Sector, now inhabited by fleshy interlopers in the Pariah Nexus. Led by Necron Cryptek Illuminor Szeras, they seek to reclaim dominance on the planet Paradyce.
刘维
回复 :近未来，由于核电站爆炸，日本国土大半笼罩在重度核辐射的威胁之下。危急关头，日本政府被迫作出“弃国宣言”。与之相对，国际社会迅速制定了联合避难计划，日本国民按照名单的先后次序相继逃亡海外。作为难民的谭雅名次比较靠后，可她的身体情况又十分糟糕。在她的身边，童年时代的知心好友列欧娜也被留在这片绝望的土地上。人们一个一个地减少，而两位好友也迎来了说再见的时刻……
回复 :阿荣（郑中基 饰），一个四十岁的单亲爸爸。在妻子意外离世后，独力照顾儿子“暴龙哥”，并在儿子的学校附近经营便利店。与“暴龙哥”相依为命期间，阿荣渐渐变成一个懂得爱和付出爱的暖男。因妻子生前购买的保险，阿荣认识了妻子的保险顾问芷明（张可颐 饰）。二人因各自种种的人生经历，成为无所不谈的好朋友。事业有成的芷明虽然早已打消了结婚的念头，但却被阿荣温暖和蔼的性格吸引，重新思考结婚的意义。暖男爸爸阿荣帮助过很多人，与身边不同的女性结下不解缘，然而他却从未放下对亡妻的思念。阿荣与这些女性朋友的关系变得错综复杂的同时，亦发现自己与芷明之间渐渐建立微妙的默契。
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
