本剧系《远程遇害》的原创衍生网络剧,最站铯在日本Hulu平台独家播出。在原片基础上增加了不少新镜头,最站铯将摄像机对准了屏幕的另一侧,讲述了这期杀人事件的细节。
本剧系《远程遇害》的原创衍生网络剧,最站铯在日本Hulu平台独家播出。在原片基础上增加了不少新镜头,最站铯将摄像机对准了屏幕的另一侧,讲述了这期杀人事件的细节。
回复 :2019年东京国际电影节主竞赛单元的最佳影片!丹麦日德兰半岛西北部小镇里,克莉丝与轻微中风行动不便的叔叔相互照应,一同在牧场工作与生活。两人生活虽偶有琐碎的争执,但日复一日,平淡无奇。当克莉丝面对翩然降临的爱情,以及有机会实现的兽医梦,她与叔叔该如何调适各自的状态,给彼此一个喘息的空间?电影平实且细腻地呈现规律平凡的日常,近乎固执地逐步叠加叔姪俩冲突又高度依赖的关系。存在世界各地的农村现况,年轻世代面对离乡与否的抉择,亲情与梦想能不能兼顾?从人物的情感出发,深刻勾勒一个不同于哥本哈根都市面貌的丹麦故事。「我母亲的亲戚都生活在农村,我希望透过电影呈现丹麦农村的真实样貌。饰演叔叔的演员,他真正的职业是农夫,电影中的农舍是他真正的家;两位主要演员,在真实生活中亦是真正的叔叔和姪女。我希望我电影中的角色,能尽可能真实、原汁原味地贴近地方,说当地的语言。」──费雷彼得森
回复 :The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
回复 :电影以战后十年日本霞浦面向的农村作为故事发生的舞台。插秧结束后的农村祭典举行期间,村子里的年轻男子们时兴调戏对岸的少女们。田村次男在一次夜袭对岸的过程中看到了农家默默劳作的千代,对她产生了好感。但次男因为捕鱼的事情和千代的母亲发生了争吵。在那之后,次男和仙吉一起扬帆起航,手无寸铁的二人逐渐驶向了边界线之外钓鱼。