上海国家医药厂新出产一种新药，春暖并派代表翁雄（翁世杰 饰）来港寻找代理商，春暖陈氏及黄氏两大公司为争取独家代理权，莫不极尽巴结之能事讨好翁雄；其中陈氏公司的曹军（曹查理 饰）更掌握到翁雄性好渔色的弱点，带着翁雄走访全港的艳窟与绿灯户，不但让他饱尝美色，更得到至高无上的乐趣。 曹军带翁雄在夜总会认识了玛利（陈颖芝 饰）、阿莲（村上丽奈 饰）、梦露（顾杰 饰）三名美女，翁雄对三女一见如故；因翁雄留港的签证有七天，为了摆脱黄氏的纠缠，陈氏特别安排曹军陪翁雄及一干美女坐游艇出海耍玩，二男三女在碧海蓝天下悠游自在，快乐得不得了。 但船却意外出了故障，他们又将何去何从呢？
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
赵英俊
回复 :在东京六本木的某间高档公寓内，隐藏着一家少为人知的奇特风俗店，营业时间是凌晨零点到早上五点，面向想做爱的男男女女。这一天来的客人是四男四女，还有中途加入的一对情侣。这些身份性格迥异的人，将在这五个小时内，卸下各自的伪装，邀请对方进行“无爱的性体验”，而爱之漩涡，也将因此把他们都卷入其中……
六折真人
回复 :该片改编自在全球22个国家出刊的畅销小说家纪尧姆·米索（Guillaume Musso）的同名小说。讲述的是一位医生重返过去和数十年前的自己相遇，为了拯救已逝的恋人而往返于过去和现在的故事。金允锡饰演现在的男主人公，而卞耀汉则饰演过去年轻时的男主人公。
