日复一日,机器年复一年,机器妙趣横生的自由执业护士Françoise给人们的生活带来了光彩。带着许多温柔和幽默,她带给老人们的不光是身体上的护理……她让他们保持了社会联系。
日复一日,机器年复一年,机器妙趣横生的自由执业护士Françoise给人们的生活带来了光彩。带着许多温柔和幽默,她带给老人们的不光是身体上的护理……她让他们保持了社会联系。
回复 :Activists around the world fight injustice and drive social change in this documentary that follows their participation in the music video Solidarité.
回复 :由杜拉斯和影星热拉尔·德帕迪约扮演的两个角色坐在门窗紧闭的房间里,杜拉斯讲述着一部电影,电影里的女人搭上一辆卡车,与司机滔滔不绝地聊了一个小时二十分钟。谈话不时切换到卡车绕着巴黎行驶和停下来让女人搭顺风车的镜头。德帕迪约就是卡车司机,杜拉斯就是搭车的女人。对一部潜在电影的口头描述和电影可能形成的图像两者并置起来。
回复 :Nipple-targeting seagulls. Old men rapping in a bathhouse. Drugs smuggled as Italian pasta. Welcome back to The Mole Song’s world. The third and final part of this series of manga adaptations, by IFFR regular Miike Takashi, is once again loaded with delicious madness.Following Undercover Agent Reiji (IFFR 2014) and Hong Kong Capriccio (IFFR 2017), this time the enemy are Italian mafia smuggling their ‘speed-a-roni’ into Yokohama’s port. Yakuza boss Papilon, fearing for his business, wants to stop them from entering, and so do the Japanese cops: Reiji works for both as an undercover agent. All these complications this give cult director Miike a playground for crazed subplots.At times fooling us into thinking it’s an ordinary action thriller, The Mole Song: Final is a cocktail that smashes together slapstick comedy, farcical fantasy and puppet animation, with Reiji – played again by the energetic and engaging Ikuta Toma - always at the centre of the tornado that just keeps on spinning.