新:一夜暴富(85集)
地区:美国
  类型:动作
  时间:2025-07-19 16:49:11
剧情简介

讲述了民国初期的两位警察深宅揭秘闹鬼传闻的惊魂故事。探长乔虎与警花木小庆满心壮志,夜暴一心想要侦破大案,夜暴却因为“宋神酒”发家的宋家豪宅闹鬼,在街坊邻居的口口相传之下,闹得世人皆知人心惶惶,被派去宋家大院“捉鬼”。自认为怀才不遇而烦心、又坚定相信没有鬼的两个人来到宋宅,本想着找个由头敷衍了事,平息这场闹鬼传闻,不曾想在进入宋家大院之后,一环接着一环的“闹鬼”事件不断发生,两位一直被低估的警察,真正开启了一场超乎自我想象的专业探案之旅。

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明星主演
林柔均
林宇中
常宽
最新评论(124+)

叶瑷菱

发表于9分钟前

回复 :到東京念大學的佐伯,寄宿在安靜住宅區的林家;房東千枝太太的女兒照子,是個擁有不可思議魅力的高中美少女;愛慕著她的親戚-鈴木也同住一個屋簷下。有著天使般甜美外表的照子,時常若有似無地誘惑著佐伯,即便鈴木一再警告:「照子是個玩弄人心的惡魔」,佐伯還是不可自拔受她誘惑。照子越親近佐伯,鈴木與佐伯的關係便越加緊張。在一次激烈的爭吵中,鈴木刺傷了佐伯,看著受重傷的佐伯,照子竟緩緩揚起一抹微笑…


廖晶

发表于7分钟前

回复 :《Descendant》 带观众走近阿拉巴马州的小社区“非洲城”,听这里的成员分享个人和群体故事,她/他们的祖先曾经被押上历史上的最后一艘运奴船“克利提达号”,像货物一样从非洲被非法运往美国。数百年来,克利提达号的存在已是公开的秘密,如今这又得到一群海洋考古学家的证实。本片探索了这一发现对这群后裔的影响,她/他们将设法疏理过去,同时成为自己今后命运的主宰。


给力小子

发表于6分钟前

回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.


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