当一名在拉普兰荒野当中发现黄金的前士兵试图将战利品带入城市时,无码一名率领纳粹士兵的残忍党卫军军官则挡在了他的面前....
当一名在拉普兰荒野当中发现黄金的前士兵试图将战利品带入城市时,无码一名率领纳粹士兵的残忍党卫军军官则挡在了他的面前....
回复 :底层文艺青年赵智颖,与美丽善良的省城女孩程诗叶倾心相恋,因年龄、家境悬殊而遭致程父母强烈反对,两人无奈各奔东西。恰逢此时,赵仅有的创业资金被盗,人生跌入低谷。失意与怅惘之际,邂逅了勤劳质朴的“底层”劳动者蔡国林,就在赵的命运迎来转机之际,竟又遭遇了穷凶极恶的犯罪团伙,平素善良而稍显懦弱的赵走向了蹊跷而危险的际遇……因果循环不息,善恶如影随形,命运的轮盘悄然转动,一切就从那一个转身开始。
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
回复 :生长于内蒙古大草原的年轻摔跤手——娜仁(赵柯 饰),应邀前往日本表演摔跤。临行前,金月婆婆(斯琴高娃 饰)托她寻找离别十多年的孙子赤那思(陈伟霆 饰)。摔跤会主持人波士,永远戴着小丑面具,表现狂妄自大。摔跤会中,娜仁结识了被丈夫一度离弃的真和子(渡边奈绪子 饰),以及来自香港,与父亲冲突而离家出走的月月(李菲儿 饰)。波士诱使她们答应组队应战另一支凶猛的女子自由摔跤队。娜仁找到今月婆婆的孙子,他改名成若男,从事足疗按摩。出乎意料,若男拒绝一起回大草原的请求。波士和经纪人小百合利欲熏心,在娜仁事先不知的情形下,临时将比赛改为泥浆摔跤。娜仁忍辱参赛。随后发现波士的真实身份正是温纯的若男,也即五年前被迫退出相扑界的赤那思。愤恨之余,娜仁决心以爱唤醒童年伙伴的良知,找回迷失的自我。终于,赤那思与娜仁携手回到大草原,重披搏克服,继承蒙古族悠久的摔跤文化……