退休警察汤姆（塞缪尔•杰克逊 Samuel L. Jackson 饰）开了一家专门替人家清理犯罪现场的公司，亚洲主要工作就是在血案发生后帮助被害人家属料理后事。这工作虽然污秽琐碎，亚洲但是他却从中总结出了生意经。他和聪明乖巧的女儿相依为命。母亲因故去世令女儿特别依赖父亲。每次他夜不归宿，女儿都会忐忑不安。在一次清理血案现场的工作后，他遇到了被害人的妻子（伊娃•门德斯 Eva Mendes 饰），赫然发现过去同事（艾德•哈里斯 Ed Harris 饰）在办案中存在漏洞，而自己却间接成了帮凶。当初，就是因为忍受不了警队的腐败，汤姆才愤然离去。这次，他重新回到破案的中心，意欲逼近真相，危险也随之而来……
回复 :在领头的皮尔恩神父失踪后，三名调查超自然事件的中年妇女迎难而上。改编自真实存在的赫普特小组。
王鹤铮
回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
回复 :Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14?
