剧情简介
本片是导演扬•特洛尔1971年的名作《大移民》的续篇，剧场家族两部电影均改编自Vilhelm Moberg的The Emigrants系列小说。本片取材此系列的后两部小说，剧场家族The Settlers 和The Last Letter Home，讲述一批瑞典移民在19世纪中期的明尼苏达州建造家园的故事
剧场版 假面骑士利维斯：战斗家族
本片是导演扬•特洛尔1971年的名作《大移民》的续篇，剧场家族两部电影均改编自Vilhelm Moberg的The Emigrants系列小说。本片取材此系列的后两部小说，剧场家族The Settlers 和The Last Letter Home，讲述一批瑞典移民在19世纪中期的明尼苏达州建造家园的故事
大麦
回复 :这是一个普通、真实的故事，一个平凡人的经历。年仅十八岁，告别了人生的小姑娘——陈薇，她是这个普通，真实，平凡人故事的主人翁。她九岁入学，十五岁患病截肢，留校任教，最后倒在观众最喜爱的广播栏目《星星点灯》前，是她最有价值的生命一刻，最耐人寻味的生前经历。
李龙基
回复 :阿黛尔·艾克萨勒霍布洛斯将主演伊曼努尔·马雷执导的长片处女作[活在当下](Carpe Diem，暂译)。26岁的卡桑德拉(艾克萨勒霍布洛斯饰)是一家廉价航空公司工作的空姐。每次飞行，她都只住一天，飞行后都会参加聚会，并不关心明天的到来。她的Tinder简介也正是“活在当下”。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
