浮水镇莲生纸扎铺今日来了一位客人。来人名叫陆小笙,国产是消闲报的民俗记者。这次来到纸扎铺,国产是想向纸扎铺老板南裳打听一桩奇闻异事。据说那是二十年前,百贵镇乔府小姐乔媛媛枉死,乔管家请纸扎匠刘三为乔媛媛做了纸人陪葬。刘三给纸人点了眼睛,导致乔媛媛借纸人回魂杀了乔老爷。陆小笙并不相信这种封建迷信的说法,可当年和这件事有关的人都已经故去。他打探到南裳便是刘三的徒弟,所以他此次前来,就是想从南裳口中了解这件事背后的真相。
浮水镇莲生纸扎铺今日来了一位客人。来人名叫陆小笙,国产是消闲报的民俗记者。这次来到纸扎铺,国产是想向纸扎铺老板南裳打听一桩奇闻异事。据说那是二十年前,百贵镇乔府小姐乔媛媛枉死,乔管家请纸扎匠刘三为乔媛媛做了纸人陪葬。刘三给纸人点了眼睛,导致乔媛媛借纸人回魂杀了乔老爷。陆小笙并不相信这种封建迷信的说法,可当年和这件事有关的人都已经故去。他打探到南裳便是刘三的徒弟,所以他此次前来,就是想从南裳口中了解这件事背后的真相。
回复 :Spain, late 1980s. Newcomer Sara tries to fit in with the other teens in this tight-knit small town in the province of Tarrgona. If only she were more like her extroverted best friend, Rebe. They go out one night at a nightclub, on the way home, they come upon a little girl holding a doll, dressed for her first communion. And that's when the nightmare begins.
回复 :青年建筑师Ray(方中信 饰)带妻子May(舒淇 饰)及5岁儿子子路(谭竣浩 饰)搬进新家的翌日傍晚,就有怪事发生,May带着子路在天台花园玩耍时,看到子路被强大力量离奇扯出天台,坠楼失踪。接着,May又频频听到小孩寻找母亲的哭叫声,更恐怖的,是家中无论子路的玩具还是衣衫都先后离奇失踪。 在警察的帮助下,Ray和May知晓导演这一切的,是躲藏在他们背后的神秘“怪物”(林嘉欣 饰)。而在与“怪物”争夺儿子的过程中,Ray和May渐渐了解到,神秘“怪物”在丑陋可怖的外表下掩藏着一个不为人知的辛酸故事。
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb