中东国家伊维亚共和国发生政变，色春武装冲突不断升级。刚刚在索马里执行完解救人质任务的海军护卫舰临沂号，色春受命前往伊维亚执行撤侨任务。舰长高云（张涵予 饰）派出杨锐（张译 饰）率领的蛟龙突击队登陆战区，护送华侨安全撤离。谁知恐怖组织扎卡却将撤侨部队逼入交火区，一场激烈的战斗在所难免。与此同时，法籍华人记者夏楠（海清 饰）正在伊维亚追查威廉·柏森博士贩卖核原料的事实，而扎卡则突袭柏森博士所在的公司，意图抢走核原料。混战中，一名隶属柏森博士公司的中国员工成为人质。为了解救该人质，八名蛟龙队员必须潜入有150名恐怖分子的聚集点，他们用自己的信念和鲜血铸成中国军人顽强不屈的丰碑！本片根据也门撤侨事件改编。
查理派克
回复 :麦克白将军（迈克尔·法斯宾德 Michael Fassbender 饰）是苏格兰国王邓肯（大卫·休里斯 David Thewlis 饰）的表弟，在外抵御外敌平反谋乱，战功赫赫，某日归国途中，遇见了三个女巫，女巫预言麦克白将会加官进爵，此言令麦克白心中蠢蠢欲动。然而，最终将要继承王位的，却是班柯将军（帕迪·康斯戴恩 Paddy Considine 饰）的儿子。在妻子（玛丽昂·歌迪亚 Marion Cotillard 饰）的怂恿之下，麦克白杀死了国王，登上了王座，为了保住王位和弑君的秘密，麦克白的双手沾满了鲜血，班柯将军、麦克德夫夫人（伊丽莎白·德比齐 Elizabeth Debicki 饰）和她的孩子均死在了麦克白的屠刀之下，而麦克白亦在疯狂的道路上渐行渐远。
回复 :最近在香港发生了几宗十分离奇的凶杀案，所有死者都是男人，就像聊斋故事中遇妖的书生，被吸至精尽人亡，经过验尸报告后，发现众死者都有一个相同点，身上总有一个伤口有一种南美响美蛇的蛇毒，警方派出干探文志伟(文)去调查此案，文知道有名男死者最后是从兰桂芳的一间酒吧离开的，便到酒吧中进行调查。文初见酒吧女东主Medusa(莎)对之惊为天人，但莎身边却常有一班狂蜂浪蝶，缠绕其身边，莎又为了生意而讨好众 ...
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
