故事讲述在东京地下,卡门有高达15万人的非法入境者,这些异邦人成立了自己的秘密政府,松田翔太饰演的异邦警察则游走在这个灰暗的地下世界。
故事讲述在东京地下,卡门有高达15万人的非法入境者,这些异邦人成立了自己的秘密政府,松田翔太饰演的异邦警察则游走在这个灰暗的地下世界。
回复 :内森(Nathan)的王国是一部科幻小说,讲述了19岁的流浪者劳拉(Laura)的成年戏,她不会向25岁的自闭症兄弟内森(Nathan)投降社会服务,她将他带到了一个不可能的任务寻找一个仅存在于内森想象中的虚拟王国,但事实证明它是如此真实;它永远改变他们的生活。为了应对破碎家庭的艰辛,劳拉(Laura)在年轻的时候就隐藏了自己的情感,并与自己任命的最好的朋友内森(Nathan)玩耍。他们一起发明了一个虚拟的避风港,称为“王国”,并彼此保证有一天能找到它。十年过去了,成年了。劳拉(Laura)带着内森(Nathan)住洛杉矶,而她是一名专业女演员,但事情并没有按计划进行。内森(Nathan)要求他们找到他的王国,并在她不遵守童年诺言的情况下对她进行报复。劳拉(Laura)在事业上失败了,最终对自己失去了所有希望。没有钱,没有生活的地方,一无所有...
回复 :崔维斯·费米尔、卢克·布雷西、理查德·劳斯伯格([血战钢锯岭])、丹尼尔·韦伯(《惩罚者》)将主演越南战争题材电影[危险逼近](Danger Close,暂译),影片由科里夫·斯丹德斯([红犬历险记])执导。故事背景设定在1966年的越南南部,讲述在瓢泼大雨里,澳大利亚与新西兰的士兵与2500名越南士兵僵持。影片将于本月在澳大利亚昆士兰开拍。
回复 :苏利曼和“苏丹电影俱乐部”的另外三名成员决定重振一家旧电影院。他们不仅因为对电影的热爱和对恢复旧电影存量、再次关注苏丹电影历史的强烈渴望而团结在一起,而且因为他们都曾在流放中接受过电影教育。不知疲倦地,他们试图让影院老板站在他们一边,让这个地方重新运作起来,但他们一再发现自己遭到了相当大的阻力。同时,他们坐在一起谈论过去——包括他们作为对立艺术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写的旧信,在那里艺术和智力思想可以自由。“我们比他们聪明,但不如他们强大,”他们一致总结了他们的处境。正是在这些简洁的时刻,观众才能够感知到友谊,以及在为共同理想而斗争中存在的纽带和意识形态的团结。苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心,同时也揭示了一个受到持续危机影响的国家的现状Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.