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孙闻雍
回复 :强敌们》是韩国第一部以青瓦台总统府为故事发生背景的电视剧，该剧主要讲述了青瓦台内警卫们的生活和爱情，蔡琳将在剧中饰演韩国第一位女总统保镖。去年，蔡琳通过《达子的春天》重返娱乐圈，离婚后的蔡琳迎来了演艺事业上的新高峰。如今时隔一年，蔡琳将携手李宗赫和李真旭共同演绎《强敌们》，在此之前，李真旭曾经出演过《某一天》、《空城》和《BEFORE&AFTER整形外科》等热播韩剧，而李宗赫主演的电影《RADIO DAYS》将在近期上映。在《强敌们》中，李真旭将饰演总统的儿子，而李宗赫则将饰演一开始很瞧不起蔡琳的同事。在海报中，女警卫蔡琳持枪出镜，英姿飒爽，干练清纯。蔡琳说，出道这么多年，她还是第一次拿起真枪，感觉十分激动。
回复 :曾经的不良少女，如今的高校女教师，对于罗菩堤（孔孝珍 饰）而言，这就是她这几年的巨大转变。因为暗恋母校的老师池贤宇（金多贤 饰），菩堤下了苦工终于从师大毕业，阴差阳错又进入到了母校教书，希望和贤宇走的更近些；另一边，校长的儿子，问题儿童朴泰仁（孔侑 饰）被美国的学校开除，不得已进入到自己的学校就读。而菩堤意外和泰仁碰面，可谓不打不相识。因为泰仁进入到母校当老师的菩堤起初受尽了学生的折磨，其中尤以泰仁为甚。但渐渐的，菩堤的真诚和体贴得到了学生们的认可，也让泰仁心生爱慕之情。可那一边，菩堤却与贤宇进展顺利……
安室奈美惠
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.
