一杯人血牛奶,同步为何会对人产生致命诱惑?什么样的扭曲心理才会为之痴狂,同步甚至不惜接二连三,连环杀人?非同寻常的杀手,超越常理的罪案,需要非同一般的警探。年轻气盛的犯罪心理学高材生方木(李易峰 饰)出手相助,却被卷入其中;身手不凡的野兽派刑警队长邰伟(廖凡 饰)嫉恶如仇,却难以走出内心泥沼。两人联手,却成绝妙拍档!一场身手的较量,心智的角逐,随之展开……
一杯人血牛奶,同步为何会对人产生致命诱惑?什么样的扭曲心理才会为之痴狂,同步甚至不惜接二连三,连环杀人?非同寻常的杀手,超越常理的罪案,需要非同一般的警探。年轻气盛的犯罪心理学高材生方木(李易峰 饰)出手相助,却被卷入其中;身手不凡的野兽派刑警队长邰伟(廖凡 饰)嫉恶如仇,却难以走出内心泥沼。两人联手,却成绝妙拍档!一场身手的较量,心智的角逐,随之展开……
回复 :神偷仇亦森十年前自美国华盛顿的联邦银行盗出一对印制美金的模版,旋即遭女友章曼莉出卖,美金模版从此下落不明,唯一知道模版下落的只有仇亦森。1999年12月17日,澳门高级警官关尚杰私自放出仇亦森,条件是仇必须在12月20日零时澳门回归前交出失踪的美金模版,仇接受交易,但他的目的不仅是为了重获自由,更重要的是希望能再见到被他自小遗弃的儿子叶少龙。叶少龙在仇亦森的托付下,跟着仇的老友重案组组长李国栋当探员,从小遭父亲遗弃的阴影让叶少龙变得嫉恶如仇,经常不顾澳门警方和黑道的勾结,勇猛缉凶破坏澳门警方的利益,因此屡遭上级警告,并受到停职处分。正当此时,仇的出现更加引起叶少龙心中的愤恨不满,新仇旧恨,齐涌心头,叶少龙不但不愿意和仇父子相认,更屡次对仇横加羞辱。仇心中充满愧\疚和悔恨,唯一的安慰是出狱后认识的叛逆少女梅嘉蕙。梅天真无邪热情大胆的情感表白,让仇感受到出狱后仅有的真诚。仇本欲将美金模版交给关尚杰后随即远走他乡,了却残生,然而此时仇赫然发现儿子的女友居然就是当年出卖自己的旧情人章曼莉,仇因此改变主意,决定拿模版和章曼莉交换,要求章曼莉和叶少龙断绝往来。想获得模版的不但有关尚杰和章曼莉,还有黑道大老袁三及明为兄弟暗中却早就经常陷害仇的李国栋,黑白两道为了一对美金模版,开始一场世纪末的决战……
回复 :影片讲述了韩国刑警们展开“扫荡暴力作战”行动,将新兴犯罪组织一网打尽的的故事。
回复 :哥伦比亚新浪潮导演Carlos Mayolo的长片处女作,一部哥特风格的幻想片,获葡萄牙幻想电影节最佳女主角和最佳影片提名。是导演向Roman Polanski的《Rosemary's Baby》致敬的作品。"Flesh of your flesh" is a political allegory trhough a love story, framed into the magical colombian universe. In 1955, in the middle of a military dictatorship, a teenage girl seduces her brother and due to their incestous relationship the lovers are possessed by the ghosts of their ancestors. The two youngsters become vampirical and criminal creatures like those created by the colombian "violencia", mingling with the mythological beings of the countryside like "drafts" and other ghost sowing fear into the heart of men.Directed by Carlos Mayolo. Centers on a wealthy family fighting over the last testament of a just-deceased matriarch. From there, the family members are shown to have an incestuous relationship, and eventually vampires come into the picture, as well as unbridled slaughter.Tropical Gothic Baroque. An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy.