因为一场意外，春暖龙五（狄龙 饰）踏上了逃亡的旅途。一晃眼多年过去，春暖风头已经过去，龙五再度回到了香港，发现自己的好友阿黄（黄百鸣 饰）如今已经成为了一名牧师。阿梅（林青霞 饰）曾经是龙五的女友，如今已经嫁为人妇，然而，她的丈夫不是别人，竟然是黑社会的大佬。龙五劝说阿梅弃暗投明，离开丈夫。但阿梅却难逃魔爪，最终被丈夫折磨致死。愤怒和绝望之中，龙五大开杀戒，向敌人实战了最残酷的复仇。虽然动机是正义的，但龙五的一举一动还是触犯了法律，最终他被警方捉拿归案，并且判处了死刑。在行刑前，龙五做出了一个大胆的决定，这个决定让他成为了真正的英雄。
回复 :本片为邵氏一部很经典的早期恐怖作品,导演孙仲把一个普通的冤鬼复仇的故事拍得百转千回扣人心弦.不光极尽恐怖惊悚邪异奇幻之能事,还几乎都是打着讽喻人世间情仇爱恨的招魂幡做警示恒言,这也增加了影片在故事上的可看度以及现实感.本片挂靠着尸变,红衣厉鬼,僵尸的元素上演了一段复仇戏码,小镇就几乎像是当时香港社会的缩影
回复 :安博从小与妓女母亲达妮娅相依为命，饱受外界欺凌，母亲冲动杀死情夫后不堪刺激，被送进精神病院，安博辍学加入扒手党，从此成为失足少年。长大后，安博自立帮派，与几个兄弟出生入死，常遇到仇家刺杀，但凭借其杀手的触觉和高强的枪法，总是能化险为夷。在迪斯高认识的年轻舞女克里斯蒂，安博因在她身上看到自己母亲的影子，对她颇为爱护。后来，安博又得到了黑帮首领之妹艾瑞娜的芳心，兄长波比久闻安博的大名，邀他加盟合作，委以重任让他去铲除恐怖份子头目马丁内斯，安博毅然直捣龙潭虎穴，以几人之力剿灭对方整个军团，然而，接下来他不得不对付的，是波比本人……
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
