剧情简介
視肉如命的警探法蘭茲對剩餘大小事都漠不關心…。懶散的個性使他妻離子散、资源总站线膽固醇超標，资源总站线直到平靜的小鎮上一起火災謀殺案，才開始讓他的錯位人生走回正軌。正當他想發憤圖強時，妻子卻將自己不滿一歲的兒子丟給他照顧。一邊要辦案；一邊還要當奶爸，蠟燭兩頭燒的他，該如何帶娃破懸案，擺脫這魯蛇的人生呢？
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視肉如命的警探法蘭茲對剩餘大小事都漠不關心…。懶散的個性使他妻離子散、资源总站线膽固醇超標，资源总站线直到平靜的小鎮上一起火災謀殺案，才開始讓他的錯位人生走回正軌。正當他想發憤圖強時，妻子卻將自己不滿一歲的兒子丟給他照顧。一邊要辦案；一邊還要當奶爸，蠟燭兩頭燒的他，該如何帶娃破懸案，擺脫這魯蛇的人生呢？
刘玲玲
回复 :奈德·拉辛（威廉·赫特饰）是一位油滑无能又好色的佛罗里达律师。在一场音乐会上，奈德邂逅了已婚名媛麦蒂·沃克（凯瑟琳·特纳饰）。二人的婚外恋情使奈德日益疯狂，他终于决定铲除麦蒂的丈夫，大亨埃德蒙·沃克（理查德·克里纳饰），帮麦蒂继承财产后远走高飞。命案发生后，奈德的好友，公诉律师皮特和警探奥斯卡都反对奈德与麦蒂继续交往，同时不得不对埃德蒙·沃克之死展开调查。事态的发展越来越超出奈德的预料，他究竟能否信任麦蒂。
张佩金
回复 :
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.