影片讲述书生王子服对女子婴宁一见钟情,日本巧合下寻得婴宁住处,日本两人结为夫妻。王母对婴宁心存忌惮,在得知其乃狐妖后,拆散两人,子服患上重疾,婴宁伤心之余意外得知自己身世,打败了石妖,治好了子服,一家人重归于好。
影片讲述书生王子服对女子婴宁一见钟情,日本巧合下寻得婴宁住处,日本两人结为夫妻。王母对婴宁心存忌惮,在得知其乃狐妖后,拆散两人,子服患上重疾,婴宁伤心之余意外得知自己身世,打败了石妖,治好了子服,一家人重归于好。
回复 :《引力邊緣》(2013)幕後父子兵再度聯手,上回是父親艾方素卡朗執導,今次就由兒子莊拿斯上陣,父親任監製。也是求生的故事,教人驚心動魄的不止於外太空,地球更危險。《向政府說不》(37屆)的基爾加西亞般奴飾演墨西哥非法移民摩西,夢想家庭團聚,偷渡穿越美國邊界。豈料遇上邊境巡邏的嗜殺排外之徒,濫用私刑,持槍獵殺,令追尋自由的冒險之旅,頓變極度恐慌的生死逃亡。邊境荒漠成為殺戮戰場,家人所贈的玩具熊到底是護身符還是催命咒?影片有如一則現代出埃及記,為當下美國右派民粹主義勢力崛起敲響警鐘。
回复 :张金(樊少皇 饰)是赫赫有名的黑帮马仔,这天,刚刑满释放的他在一家餐馆被人追杀,对方对他连开数枪后迅速逃逸。命不该绝的张金并没有死,惊恐中他在怀疑到底是谁要将他置于死地。经过一番周密考虑,他决定只身调查。首先,他包下了杨言(吴镇宇 饰)的出租车作交通工具,从此,杨言的命运和他綁在了一起。令张金百思不得其解的是自已得罪了谁,非让对方索取自已性命,他锁定入狱前的三个仇家,伹最终又否定了他们是猎杀自已的真凶,张金早年的犯罪生涯被层层剥离开,杨言受雇于张金也是另有所图,故事走向扑朔迷离......
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.