十九世纪七十到八十年代,中文字字曾参加过普丹战争的丹麦军官Gunner Dinesen(维果·莫腾森),中文字字带着青春期女儿Ingeborg(Viilbjørk Mollie Malling)从丹麦来到阿根廷,加入阿根廷军队,参加征服沙漠之战,女儿却跟一个阿根廷士兵私奔,生死未卜,他从此踏上了荒漠里的绝望寻女之路。
十九世纪七十到八十年代,中文字字曾参加过普丹战争的丹麦军官Gunner Dinesen(维果·莫腾森),中文字字带着青春期女儿Ingeborg(Viilbjørk Mollie Malling)从丹麦来到阿根廷,加入阿根廷军队,参加征服沙漠之战,女儿却跟一个阿根廷士兵私奔,生死未卜,他从此踏上了荒漠里的绝望寻女之路。
回复 :一家之主昏迷30年后醒来,而她的古怪家人拼命地重塑过去的岁月,好不让她察觉时光早已过去很久……
回复 :In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.
回复 :这是一部以真人真事为基础改编的实验电影,讲述一个上海大公司女白领和大理本地男人相恋又错过的爱情故事。故事由女主角的第一视角展开,在她的意识流动中,往事与当下、目的地和远方、生与死……一切都亦真亦幻。这似曾相识的感觉,是记忆还是幻觉?是梦境还是真实?也许正如三毛所说——“爱情有如佛家的禅,不可说、不可说,一说便是错”。影片多维叙事,在剧情中插入纪实采访段落,期望引发观众对爱情的思考。编导演等主创人员都是在大理本地定居的街坊邻里,出演本片的非职业演员都是第一次演戏,本片也是导演的第一部电影长片处女作。