愛麗絲與瑟琳住在緊密相連的房子裡。她們是好朋友,魔晶而同為八歲的兒子戴歐和瑪星,魔晶也常常玩在一起。瑟琳的兒子瑪星不幸從臥室的窗戶墜落身亡,愛麗絲雖在現場卻無法救他。悲傷的瑟琳責怪愛麗絲沒有救她的兒子,她們的友情也逐漸決裂。瑟琳變得越來越鬼祟,愛麗絲擔心她有可能會對自己的兒子戴歐進行報復…
愛麗絲與瑟琳住在緊密相連的房子裡。她們是好朋友,魔晶而同為八歲的兒子戴歐和瑪星,魔晶也常常玩在一起。瑟琳的兒子瑪星不幸從臥室的窗戶墜落身亡,愛麗絲雖在現場卻無法救他。悲傷的瑟琳責怪愛麗絲沒有救她的兒子,她們的友情也逐漸決裂。瑟琳變得越來越鬼祟,愛麗絲擔心她有可能會對自己的兒子戴歐進行報復…
回复 :This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez
回复 :明中期,京畿衙门捕快张晟和袁肃因同僚程运打死犯人被逐出衙门一事,势不两立。后程运被杀,迷雾重重,证据指向刑狱长葛林以及神秘富贾沈康。两人究竟能否不计前嫌,绝境反击?一片繁华之下,那些不为人知的罪恶终将“浮出水面”······
回复 :2011年3月11日,日本遭遇史上最大地震的襲擊,引發福島海嘯災難。亞歷珊卓拉剛從法國來到東京,正準備在當地法商銀行工作,卻突然遭逢這場核災危機。在工作與家庭間拉扯,逐漸浮現的恐懼與焦慮就要吞噬亞歷珊卓拉。離開或者留下,丈夫兒女與仰賴她的員工,亞歷珊卓拉該如何抉擇?