剧情简介
思想守旧的唐二婶（马琳 饰）已经连续生了5个女儿，日韩可是她还想再生一个儿子。唐二婶的行为不仅令到当地专管计生的工作人员头疼不已，日韩连丈夫唐二叔（刘钊 饰）亦不胜其烦，不能好好进行甘蔗试验田的实验。大女儿招弟（李秀明 饰）为了帮助父亲解困，一心一意干事业，苦口婆心的劝唐二婶转 变观念，并提自己愿一生都不出嫁，守在母亲跟前服侍她。这可急坏了和招弟相恋了三年的恋人，糖厂的司机田五宝（李连生 饰）。一双恋人究竟最终命运如何？
日韩一页
思想守旧的唐二婶（马琳 饰）已经连续生了5个女儿，日韩可是她还想再生一个儿子。唐二婶的行为不仅令到当地专管计生的工作人员头疼不已，日韩连丈夫唐二叔（刘钊 饰）亦不胜其烦，不能好好进行甘蔗试验田的实验。大女儿招弟（李秀明 饰）为了帮助父亲解困，一心一意干事业，苦口婆心的劝唐二婶转 变观念，并提自己愿一生都不出嫁，守在母亲跟前服侍她。这可急坏了和招弟相恋了三年的恋人，糖厂的司机田五宝（李连生 饰）。一双恋人究竟最终命运如何？
回复 :失忆御姐云嫣发现自己遇袭后莫名其妙地出现在一家咖啡屋里，店里有受气包老板月半和代表着“喜、怒、哀、乐”的4位员工：光吃不干的收银员宫喜、暴力的保安鲍丽、倒霉服务生晓衰和只知道傻呵呵干活儿的沙乐。她们脑回路清奇，总是做着让人啼笑皆非的事情。云嫣怀疑她们与自己遇袭有关，便坚持要住下来，边调查边“折磨”她们。后来店里来了三组奇怪的客人：孤儿院里即将分别的两个小闺蜜，被富婆太太赶出家门流浪的乞丐大叔，和一对热恋中的青年男女。客人们身上发生了很多奇葩事件，他们不断地寻求咖啡店的帮助，而云嫣和咖啡店的员工们也见证了客人们生命中重要的转折点。随着云嫣与员工和客人们的联系逐渐加深，她惊讶地发现：眼前的所有人居然都与自己有关！而客人们生命中的重要转折点也都是自己曾经做出的错误选择！当真相逐渐被揭开，云嫣的呼吸却越来越困难，她能否在最后关头自救并复仇……
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :考完大學入學考，20歲的男同志光浩和朋友到同志酒吧放鬆一下。他在那裡偶然認識了俊，毅然決然跟著他到首爾的家裡過了一夜。
