Man（李中宁）与豪放大胆的女友Gigi（顾杰）友而不婚，仅剩极尽享受人生。John（陶大宇）是Man的同事兼室友，仅剩姓格却保守内向。一夜，Gigi被飞仔调戏，Man施展绝招将对方击退，却遭高空掷物打中头部猝死，Man在阴间得悉阳寿未尽，赶回阳间，但禸身已遭火化，Man清急之下胡乱找一禸身，是女体，Man苦恼不已。Man以女姓之身返家，被Gigi误为Man生前玩伴，Gigi愤然离去，Man欲辩无从，唯有认作Man之表妹Mandy（陈颖芝），迫John勉强收留“她”。Mandy以经理（曹查理）的绯事为胁，重回旧职，但与Gigi的一段旧清却无法挽回，佳人已投向别人怀抱。
回复 :小敏（蔡卓妍 饰）在满怀期待之中终于走入了婚姻的殿堂，然而，令她没有想到的是，等待着她的，将是长达5年的无性婚姻。丈夫的冷漠让小敏感到异常的压抑，起初她仍然相信一切都会好转，但随着时间的推移，她只觉得自己陷入了生活的流沙之中，正在慢慢窒息。终于，小敏下定了离婚的决定。她失去了婚姻、工作和对未来的希望。小敏家里经营着一家破旧的餐厅，徘徊在随时倒闭的边缘。离婚后的小敏决定接手餐厅的运营工作，并且招聘了名叫家豪（吴慷仁 饰）的神秘厨师。家豪和小敏的前夫是完全相反的人，他热烈、大胆，无论做任何事情都充满了激情。
张馨艺
回复 :阿斯崔德（朱丽娅·耶恩奇 Julia Jentsch 饰）是一位在事业上颇有建树的女演员，拥有众多的粉丝。与此同时，她和丈夫马库斯（比亚内·梅德尔 Bjarne Mädel 饰）之间的感情也非常要好，两人共同养育着可爱的小女儿内尔（艾米莉亚·派斯克 Emilia Pieske 饰），并且正在满心欢喜的迎接这个家庭里第二个小生命的诞生。然而，令阿斯崔德没有想到的是，她腹中的胎儿被医生诊断极有可能在出生之后患有唐氏综合症和严重的先天性心脏病，作为母亲，阿斯崔德将有权要求堕胎。然而，腹中的小小生命已经24周大了，这个艰难的抉择让一家人都陷入了痛苦的境地之中。
叶小青
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
