神马手机생전 처음으로 경험해 보는 성적 쾌감!예비신부의 마음을 뒤흔들다!결혼을 앞두고 있는 주희(하나경)에게 진정한 만족을 느껴볼 수 있다며 한 장의 명함을 내미는 선미(구지성). 살아오면서 느낄 수 없었던 새로운 성적 쾌감을 경험하게 된 주희는 시간과 장소를 불문하고 예비신랑 민우에게 끓어오르는 감정을 표출하기 시작한다. 모든 성적 행위를 주도하며 즐기는 주희와는 달리 날이 갈수록 힘들어하는 민우. 선배 준석에게 조언까지 받으며 그녀를 만족시켜주기 위해 노력하지만 이미 최고의 성적 쾌감을 느껴버린 주희를 만족시키는 것은 결코 만만치가 않는데…그녀의 마음과 쾌감을 뒤흔들어 놓은 그 곳은 과연 어떤 곳일까?
埃利克克莱普顿
回复 :细仔是裁缝师，与师妹妹头一起生活了十年，发现彼此潜藏着难舍的爱，遂决定结婚。岂料婚礼当天花车失事，二人同到地府，却阴差阳错。必须在四十九日内找替身。二人找到一双殉情男女，细仔顺利再生，可怜妹头却失败，女殉情者不但未死，且对细仔爱意绵绵，细仔周旋于这美艳女子与鬼新娘间，不胜苦恼，同时身不由己地卷入一场夺产阴谋中……
回复 :30多岁的蓉姐容颜姣好却一直未婚，靠着洗脚城按摩的工作独自一人在异乡抚养弟弟。叛逆的弟弟无心学业终日和女友静厮混，而此时，姐姐正面临着老板的哄骗利用，和客户田阿姨布置好的滔天陷阱……待风波平息，蓉姐终于守得云开时，静怀孕的消息再度打破蓉姐来之不易的平静生活……
洪玮
回复 :Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
