剧情简介
老陈夫妇是一对普通的农村夫妇，有精观中年丧子，有精观想再要个孩子却始终怀不上。大华子的女儿小梅和农村出身的小刘私奔了，怀孕后失踪，好不容易才被家人找回。老陈夫妇一番经历后，重拾生活的希望，第二个孩子也不期而至。 ...
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老陈夫妇是一对普通的农村夫妇，有精观中年丧子，有精观想再要个孩子却始终怀不上。大华子的女儿小梅和农村出身的小刘私奔了，怀孕后失踪，好不容易才被家人找回。老陈夫妇一番经历后，重拾生活的希望，第二个孩子也不期而至。 ...
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 :根本作家苏童小说《罂粟之家》改编。岳虹在影片里饰演一苦命女人，年轻时嫁给在外工作长年不在家的丈夫，一肩挑起家计，后来受到从事贩卖罂粟生意的富商喜欢。枫树村地主沉草沦为吸毒者，并迷恋寡妇马氏。马氏暗恋年轻农夫陈茂，而陈茂在沉草的安排下，与七姨太翠花借种。陈茂在马氏和翠花之间难以取舍，唯有选择一走了之……
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回复 :1982年电影《广东靓仔玉》乃资深武术指导及动作演员徐虾首部执导的功夫片，以民间英雄抗清事迹为背景，由汪禹、黄正利和杨盼盼主演。在这部八十年代出色的功夫片中，出色武打明星汪禹在片中饰演主角何家玉，他的身手灵敏和在电影里有着精湛的演技，由佻皮小子骤变革命英雄，片中以超强功夫班底，打造一场热血的大激斗。电影讲述反清联盟义士陈贵被清廷高手骆一虎(黄正利饰)所杀，陈妻偕女小薇(杨盼盼饰)避难到广龙镇。镇上何教头(关锋饰)之侄家玉(汪禹饰)好胜佻皮，外号靓仔玉，因救小薇而识破了张老师(任世官饰)为反清联盟南方二舵主的真正身份。後陈妻和张老师等人逐一被杀，家玉决往找骆一虎报仇……? 出品人：邵逸夫? 制作人：黄尧? 监制：方逸华? 导演：徐虾? 副导演（助理）：关耀荣；周振荣? 编剧：李百龄? 摄影：张海? 配乐：成锦荣；苏振厚? 剪辑：姜兴...
