影片主角为一个吊儿郎当的警察,大秀他企图破坏他妹妹和一个精神病医生的婚约,想尽办法让妹妹的未婚夫出丑。
影片主角为一个吊儿郎当的警察,大秀他企图破坏他妹妹和一个精神病医生的婚约,想尽办法让妹妹的未婚夫出丑。
回复 :Jacky与Mary是九十年代女警的新写照,她们乐天而积极,感性和机ddd。面对现实的犯罪世界,她们对正义的信念绝不动摇,凡事尽力而为。她们无端被卷入一宗珠宝劫案中,而劫匪群中曹明,徐东寺却陆续被追杀灭口,二人接触死者曹明的胞妹曹红,但曹红对她俩处处回避,令二人疑心顿起,更激发他们继续深入调查的决心。在Jacky,Mary监视曹红其间,发现他的男朋友徐东与谋杀案有关,可怜一对小情人既要四处躲避危险人物丁九的追杀,同时又要设法摆脱Jacky及Mary。原来珠宝店老板为骗取保险贵而出卖丁九等打劫自己店铺,因劫案事败需要劫匪全部杀掉来源口,老板更用美男计迷着Jacky令她透明调查案件情况,Jacky不疑有诈,令Mary、徐东及曹红身陷险境,就在激烈枪战追逐中,Jacky及时赶到,众人擒获丁九。丁九为保护自己,指证老板才是主谋,正当警察四处围捕老板时,已身败名裂的老板正在找寻Jacky及Mary报复。
回复 :小男孩雨果(阿沙·巴特菲尔德 Asa Butterfield 饰)天生机械控。他寄宿巴黎火车站钟楼,偶尔会去玩具店偷些零件,用来修补父亲(裘德·洛 Jude Law 饰)留下的机器人。一次行窃,他被店主乔治•梅里埃(本·金斯利 Ben Kingsley 饰)当场抓获,因 忌惮带猎狗的巡警(萨莎·拜伦·科恩 Sacha Baron Cohen 饰)只得就范。乔治拿走了雨果父亲的遗物——一本机械手册,令他心急如焚,他尾随至乔治家中,结识了养女伊莎贝拉(科洛·莫瑞兹 Chloë Moretz 饰),他恳求她帮自己保住手册。而伊莎贝拉则觉得此事蹊跷,于是两人结伴探秘。修好的机器人作画的落款却显示乔治的名字,让他们疑心顿起。终于他们发现了乔治家中装满画作的神秘柜子,并在图书馆的电影书籍中发现了乔治的身世。一位知情人的显身,让他们的奇幻冒险更添神秘……本片根据布莱恩•瑟兹尼克的同名小说改编,是马丁•斯科塞斯的首部3D力作。
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.