二对母女，交换罗拉（拉娜·特纳饰）与女儿苏西（胡安妮塔·摩儿饰）之间因母亲专注于事业，交换而与女儿缺乏沟通，导致两母女同时爱一个男人的悲剧；她们在海边遇到的另一对黑人母女，黑人母亲安妮（丹·奥赫里奇饰），因为混血女儿始终不肯承认自己是黑人的事实，而悲伤矛盾，但是安妮这个善良的女人始终等待其女儿的回头，只是子欲养而亲不待。本片讲述两个具有现代意识的悲剧。本片是一部社会性的写实片，突出了黑人与白人之间的种族歧视与子女教育问题，可以说是一部套路偏中国文戏的文艺片。尽管有煽情的成分，但比一般的家庭片更深刻。1934年曾拍过一次。
回复 :泥鳅（倪萍 饰）与丈夫离婚后带着一对双胞胎女儿来到北京，本想投靠朋友，可朋友的处境也不太好。于是泥鳅决定自力更生，她多次遇到了在火车上要求与她发生关系的包工头，没想到两人都叫泥鳅。男泥鳅（倪大红 饰）也是个背井离乡的人，妻子逝世了。他把女泥鳅留下，虽然吃住不是很好，但起码有个落脚的地方，离乡在外困难众多，大家也互相照应。为了生活女泥鳅去当女佣，这时男泥鳅欠下了工人的工钱，她也提出帮他还债，就这样，他们互相挣扎在北京生活，做着粗活，养活自己与女儿。但生活并不是那么简单，他们需要面临的还有很多……
回复 :They do not show war in this film, they show people and their dreams and hopes ruined by the war. It is not just another "war film", but it rises to the level of a true Tragedy. Not a propagandist or a sob story. Many critics compare this film to another famous Russian war drama, The Cranes Are Flying. I still think that The House I Live in is better, though, if you've seen The Cranes and liked it, most probably you'll love this one either. Both films were shot in 1957 and treat the war theme from the similar humane perspective. I wouldn't cut a single shot from the film, all of them are just in place. I do not know if it can be found outside Russia, if yes, don't miss it.Many critics pointed out resemblances between Dom, V Kotorom Ya Zhivu (The House I Live In) and the better-known Soviet film The Cranes are Flying. Set in the years prior to and during WWII, the story centers on the various residents of a co-op house. Though the directors never show the war itself, its tragic impact is felt throughout the film. And despite the potential for Soviet propaganda, what sticks in the mind is the universality of the experiences endured by the leading characters. Dom, V Kotorom Ya Zhivu was one of Russian's entries in the 1958 Brussels Film Festival.
回复 :圣诞节，平时工作繁忙的由加里（広末涼子饰）好不容易抽出空和恋人博（玉山铁二饰）约会，来到公园，对方却是一副冷淡的表情，说着“我有喜欢的人了，”向其提出分手。伤心的由加里第2天以身体不适为由请了一天假，在家中做大扫除，又去剪了头发。重新整理好心情的由加里打算把对方留在这里的最后一样物品——家中的钥匙还回去，“可是当时得到钥匙时的心情，即使到现在都能记得，就像是拿到了打开通往世界之门的钥匙一样……”3年前的甜蜜的圣诞节在脑海中清晰起来。
