剧情简介
两代百老汇的“西贡小姐”Lea Salonga和Eva Noblezada将合作出演新片《黄玫瑰》(Yellow Rose)，诗人是一部音乐剧，诗人聚焦一个17岁的菲律宾裔美国女孩，她来自得州，热爱乡村音乐，想当歌手。但她的母亲被美国移民和海关执法局逮捕，女孩逃走了，她必须闯出自己的路，不然会被跟妈妈一起驱逐回菲律宾。纪录片导演Diane Paragas执导，卡司将创作和演出片中音乐。
诗人的爱
两代百老汇的“西贡小姐”Lea Salonga和Eva Noblezada将合作出演新片《黄玫瑰》(Yellow Rose)，诗人是一部音乐剧，诗人聚焦一个17岁的菲律宾裔美国女孩，她来自得州，热爱乡村音乐，想当歌手。但她的母亲被美国移民和海关执法局逮捕，女孩逃走了，她必须闯出自己的路，不然会被跟妈妈一起驱逐回菲律宾。纪录片导演Diane Paragas执导，卡司将创作和演出片中音乐。
回复 :A meditation on the elemental bonds of family told through portraits of four Syrian families in the aftermath of war.
回复 :巨丰财务有限公司的创办人离世，其子马铁生接手公司，把高利贷生意越做越大。警察情报科对于巨丰财务以高年息放债一事早已记录在案，奈何一直未有实质证据，无法作出拘捕行动。 情报科主管因病离世，警方高层张Sir将跟进巨丰财务的重任交予重案组主管黄一聪处理。黄一聪在处理情报科主管的遗物时，发现情报科曾派出一名卧底混入巨丰财务搜集罪证。另一方面，马铁生不择手段阻止警方调查，甚至不惜迫害巨丰的老臣子华叔……
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
