剧情简介
千百年来，悠木地球上一直住着一种外星生物，悠木名叫喵星人。它们从遥远的喵星来到地球，化身为猫科动物，分散在世界每个角落。萌萌的外表，加上机智聪明的头脑，轻易就得到人类的宠爱。不愁吃喝的它们桀骜不驯，活像饱经沧桑的江湖大佬。犀犀利就是他们中的一员，作为一名正牌的喵星来客，它肩负使命长途跋涉来到地球，却意外遇到了吴守龙（古天乐饰演）一家，上演了一幕相运相生，喵趣横生的人猫奇遇记。
悠木视频
千百年来，悠木地球上一直住着一种外星生物，悠木名叫喵星人。它们从遥远的喵星来到地球，化身为猫科动物，分散在世界每个角落。萌萌的外表，加上机智聪明的头脑，轻易就得到人类的宠爱。不愁吃喝的它们桀骜不驯，活像饱经沧桑的江湖大佬。犀犀利就是他们中的一员，作为一名正牌的喵星来客，它肩负使命长途跋涉来到地球，却意外遇到了吴守龙（古天乐饰演）一家，上演了一幕相运相生，喵趣横生的人猫奇遇记。
蔡旻佑
回复 :故事发生在1870年的英国，传闻中海怪的出没的消息惹得人心惶惶，各国政府都排遣除了军舰在大海上巡逻，哪知道这些军舰均被海怪给击沉了。阿龙纳斯教授（Dan Hanlon 饰）和他的助手康赛尔成为了海难中的幸存者，同时保住了小命的还有鱼叉手尼德（Curtis Benton 饰），一行人被鹦鹉螺号潜艇救起，他们也就此认识了潜艇的主人尼莫船长。尼莫船长久仰阿龙纳斯的大名，把他当做上宾接待。但是船长暴躁的个性和激进的手段让阿龙纳斯明白，此地不宜久留。尼莫船长向阿龙纳斯展示了自己多年来苦心钻研的研究成果，亦带他畅游神秘的海底世界，但阿龙纳斯的脑袋里只有一个念头，那就是逃走。
回复 :Six friends go to party for a week during the "Sneekweek". But they are haunted by a secret from their past.
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
